About
Abel Korinsky
studied Music, German language and literature, social sciences and history in Wuppertal and completed with Master in Arts (Sound Studies at UdK Berlin).
Carlo Korinsky
studied Music, German language and literature, social sciences and history in Wuppertal and completed with Master in Arts (Sound Studies at UdK Berlin).
Awards & Scholarships
2022 Cultural exchange stipends of the federal state of (Germany) /// Zero01ne Creator (Korea) 2020 Visual arts 2020 WeSA Residency, Jeju (Korea) 2019 MMCA Residency Changdong (Korea) /// be mobile-create together program with arthereistanbul (Turkey) 2018 Arts Residency Programme “Digital Arts and Public Space”, Goethe Institut Kigali (Rwanda) 2016 Artist in Residency at Seoul Art Space Geumcheon, Seoul (Korea) 2015 Kooshk Award, Tehran (Iran) 2014 EMARE scholarship Australia (European Media Artist in Residence Exchange) (Australia) /// Mercedes-Benz Kunst Award 2014 (Germany) 2013 Young European Artist Trieste Contemporanea Award (Italy) 2012 sponsored by Federal Department of Commerce and Technology as well as the European Union /// awarded as Kultur- und Kreativpilot Deutschland (Germany) 2011 Erasmus scholarship Sound Art City Spaces (S.A.C.S.) (Lithuania)
Artist Statement
As a pure mathematical thought, we assume that sound waves within Earth’s atmosphere possess the capacity to approach the numerical abyss, the mathematical concept of zero, but never quite reaching it. In reality, sound is not physically infinite, But it transcends through our biographies, imprinted in our identity, age, and socialization. This subjective infinity manifests as sound deeply influences our perception of the sonic environment and creates sonic heritage. Today’s cities grapple with noise pollution from diverse sources. Based this concept, the artwork explores how residents of our urban soundscape, each with unique biographies and diverse backgrounds, can connect with city sounds intertwined with their individual past experiences.
Project : resonance
In mathematical terms, sound never reaches zero amplitude; it approaches infinitesimally small values as time tends to infinity. This concept focuses on mathematical modeling and limits, serving as a thought experiment rather than reflecting the real-world behavior of sound. How can past sound models shape future cities?
Korinsky past works
